The Aesthetics of Power. Essays in the Critical Art History – Cambridge Studies in New Art History and Criticism. CAMBRIDGE UNIVERSITY PRESS. 1993. Carol Duncan

Atlas of Images: Mnemosyne. Aby Warburg 

L’État du Ciel, Georges Didi-Huberman, Palais de Tokyo, Paris (FR), 2014

Eva Hesse. Lucy Lippard, 1992

Revolution in the Making: Abstract Sculpture by Women, 1947–2016. Editors: Paul Schimmel, Jenni Sorkin, 2016

Nikki de Saint Phalle. Christine Weidemann, 2014

Isa Genzken: Retrospective. Sabine Breitwieser, Laura Hoptman, Michael Darling, and Jeffrey Grove, with an essay by Lisa Lee, 2013

Women of Abstract Expressionism. Joan Marter, 1997

Helen Frankenthaler: Paper is Painting. Robert Mattison, 2017

Kropslig kunst. Ulla Angkjær Jørgensen, 2007

Strangeland. Tracey Emin, 2006

Tracey Emin: Works 1963-2006. Tracey Emin, 2006

Tracey Emin: Works 2007-2017. Jonathan Jones, 2017

Tracey Emin: My Life in a Column. Tracey Emin, 2011

Corpus, Helena Almeida. Jeu de Paume, 2016

Radical Virtuosity: Ana Mendieta and the Black Atlantic. Genevieve Hyacinthe, 2019

Where Is Ana Mendieta?: Identity, Performativity, and Exile. Jane Blocker, 1999

Full Bloom: The Art and Life of Georgia O’Keeffe. Hunter Drohojowska-Philp, 2005

Vivian Suter. Adam Szymczyk, 2019

Joan Mitchell: Lady Painter. Patricia Albers, 2011

Marisa Merz: The Sky Is a Great Space. Connie Butler, 2017

Elizabeth Payton. Matthew Higgs, 2005

Elizabeth Peyton: Dark Incandescence. Kirsty Bell, 2017

Chantal Joffe: Personal Feeling is the Main Thing. Dorothy Price, 2018

Rita Ackermann. Written by Rita Ackerman and Bonnie Clearwater and Harmony Korine and Felix Ensslin and John Kelsey, 2011

Art and Feminism. Helena Reckitt & Peggy Phelan, 2012

Women Artists in History: From Antiquity to the Present. Wendy Slatkin, 2000

Memory, Metaphor, and Aby Warburg’s Atlas of Images. Christopher D. Johnson. Published in 2012

The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg’s History of Art. Georges Didi-Huberman. Published in 2018

Studies In Iconology – Humanistic Themes In The Art Of The Renaissance. Erwin Panofsky. Published in 1939

Meaning in the Visual Arts. E. Panofsky. 1983

Perspective as Symbolic Form. E. Panofsky. 1927

Against Interpretation and Other Essays. Susan Sontag. Published in 1966

The Concise Oxford Dictionary of Art Terms. Michael Clarke, 2010 

The Story of Art. E. Gombrich. 16th revised edition published in 1995

The Art of Describing. Svetlana Alpers. Published in 1983

Francis Bacon: The Logic of Sensation. Gilles Deleuze. First published in 1981 

Ways of Seeing. John Berger. First published in 1972 

Women, Art, and Society. Whitney Chadwick, Fifth edition published in 2012

Women and Power. Mary Beard. Published in 2017

Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art. Mary Gabriel. Published in 2017

Vision and Difference – Feminism, Femininity and Histories of Art. Griselda Pollock. Published in 2003

The Obstacle Race. Germaine Greer. First edition published in 1979

Gender Trouble. Judith Butler. Published in 1990

Six Years: The Dematerialization of the Art Object from 1966 to 1972. Lucy Lippard. Published in 1997

Trigger: Gender as a Tool and a Weapon. Johanna Burton, 2018

The Feminism and Visual Culture Reader. Amelia Jones, 2010

The Artist’s Body. Amelia Jones. 2012

Differencing the Canon: Feminist Desire and the Writing of Arts Histories. Griselda Pollock (London: Routledge, 1999)

Women, Art, and Power (London: Thames and Hudson, 1989). Linda Nochlin 

Take Care of Yourself. Sofie Calle. Published in 2007

Eva Hesse – Longing, Belonging and Displacement. Vanessa Corby. Published in 2010

Eileen Agar: an eye for Collage. Andrew Lambeth, 2008

Eileen Agar : Dreaming Oneself Awake. Michel Remy, 2017